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1953 年史達林過世後,蘇維埃當局公開承認先前的文化策略錯誤,瀰漫著一股新的創作自由氣息,蕭士塔高維奇在這股氛圍中寫下了充滿強烈個人情緒的第十號交響曲,控訴那獨裁的年代。蕭士塔高維契在當年立即完成第十號交響曲,距離他上一次發表交響曲已有八年!但第十號交響曲仍存有許多爭議。有人認為這是蕭士塔高維契最偉大的一部交響曲,有些則強調從第十號交響曲可以看出蕭士塔高維契的風格逐漸走向自我內省,他用音樂表達出長久以來受到壓抑的憂慮不安與期望。其中的壓抑、沮喪、指責國家冷漠,在卡拉揚鋼鐵般的強烈風格下,尖銳而深刻地切入人心的最深處。蕭士塔高維契以自己姓名的拼音縮寫做為主題動機(DSCH),調性則分別是《 D─ 降 E─C─B 》。就像羅西尼與華格納的作品,第十號交響曲的和聲包含了主題動機,使得整部作品在樂曲結束前達到戲劇性的最高潮。
曲目:
Side A
1.Moderato2.Allegro
Side B
1.Allegretto2.Andante - Allegro
Russia in the year 1953. After the October Revolution this was probably one of the most eventful epochs in the whole of the 20th century as far as social development and Art were concerned. When Stalin’s reign of terror at last came to an end Shostakovich was able to realize his artistic ideas without fear of political persecution. And this is precisely the reason for regarding the premiere performance of his Tenth Symphony, in December 1953, as a gesture of freedom after years of discrimination. Shostakovich wanted his music to reflect human feelings and passions – and indeed the rugged first movement is filled with melancholy. Many biographers have identified a brutal portrait of the dictator Stalin in the strained mechanism and whip-lash rhythm of the following Allegro. The third and fourth movements take on a brighter character and are filled with song-like melody which leads to a splendid Finale.Herbert von Karajan and his Berlin orchestra made the present recording just a few years after the work’s composition; even today it is still considered one of the very best performances of this unique work.
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產品上架時間 2006 八月 24 週四.
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